Entertainment in a Glance

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6/05/2009

Merlin and the Book of Beasts

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XVID(GVC) | 624 x 352 | FrameRate(Frame/sec) : 23.98
SampleRate(Sample/sec) : 48000 | BitRate(Bit/sample) : 16
Channels : 2 | KBitRate(KBit/sec) : 120
Genre: fantasy

Country: Canada
Director: Warren P. Sonoda
Cast:
James Callis ... Merlin
Laura Harris ... Avlynn
Jesse Moss ... Lysanor
Monique Ganderton ... Moira
Maja Stace-Smith ... Medusa


Review :
James Callis and Laura Harris star in a new and exciting interpretation of a classic fantasy
The age of knights was one of chivalry and honor, of magic and mystery, of passion and betrayal. And now that age has passed -- perhaps forever. What remains is a shadowy world of fear and terror.
Anchor Bay Entertainment, the undisputed leader in cult and classic horror home entertainment, will release the much-anticipated SciFi Channel premiere Merlin and the Book of Beasts, starring James Callis and Laura Harris, on DVD on Aug. 25, 2009. Pre-book is July 23, 2009, with an SRP of $19.97.


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5/15/2009

Mega Shark VS Giant Octopus

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Released date : May 19, 2009
Cast : Lorenzo Lamas, Deborah Gibson, Sean Lawlor, Stephen Blackehart, Dean Kreyling, Jonathan Nation, Vic Chao
Language: English
90 minutes | 688 x 385 | PAL (25fps) | Xvid | AC-3 | 697 MB
Genre: Action | Thriller | Fantasy | Sci-Fi




Review :
Ten million years ago, they were engaged in a battle for supremacy of the ocean, before something happened and they got, er, frozen or something. Now, thanks to global warming, climate change, a military experiment gone awry, or one of those things, they’ve been thawed out (after ten million years!) and free to roam the ocean once again. The only people who can stop them are ’80s pop singer Deborah “Don’t call me Debbie” Gibson and Lorenzo “Please, someone, a job, any job!” Lamas. God help us.

“Mega Shark vs. Giant Octopus” is brought to you by writer/director Jack Perez and the people at The Asylum, makers of movies that not-so-subtly apes big-name Hollywood movies. I’m not sure which big movie they’re aping with “Mega Shark vs. Giant Octopus”, but it sure has gotten a lot of attention on these here Internets. Then again, it is a movie about a giant shark the size of the Golden Gate Bridge (speaking of which, check out the shark attacking the Bridge in the pic below) and an Octopus that can swat submarines like they’re flies.

3/31/2009

Monsters vs Aliens

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Directors:Rob Letterman, Conrad Vernon
Writers:Maya Forbes (screenplay) & Wallace Wolodarsky (screenplay)
Release Date:8 April 2009 (Indonesia)
Genre:Animation | Action | Sci-Fi

Cast :
Reese Witherspoon... Susan Murphy / Ginormica (voice)
Seth Rogen... B.O.B. (voice)
Hugh Laurie... Dr. Cockroach Ph.D. (voice)
Will Arnett... The Missing Link (voice)
Kiefer Sutherland... General W.R. Monger (voice)
Rainn Wilson... Gallaxhar (voice)
Stephen Colbert... President Hathaway (voice)
Paul Rudd... Derek Dietl (voice)
Julie White... Wendy Murphy (voice)
Jeffrey Tambor... Carl Murphy (voice)


Review :
Ginormica is a great name for a woman, regardless of her size. As it happens, the California girl so designated in the ginormically showy but super-average 3-D animated entertainment Monsters vs. Aliens grows into her moniker the old-fashioned sci-fi way: Born plain old Susan Murphy (and voiced by Reese Witherspoon), she's hit on her wedding day with outer-space crud from a falling meteor, causing her to expand to 49 feet 11 inches tall. And although at first she's understandably flummoxed by the transformation, and really steamed when military types lock her up at a top secret government compound with a hidden society of other mutated freaks, the no-longer-plain-old Susan is actually in luck. For one thing, she's now got the figure to carry the skinny-leg-jeans look. For another, the sudden growth spurt saves her from an 
ill-advised marriage to a self-involved boob. (The doltish groom-to-be, voiced by busy Paul Rudd, holds the classic punchline job of local TV weatherman.) Shed of her small ways, this wonder woman embraces her sky-high feminine power; she becomes a female role model to, yes, look up to.

Monsters vs. Aliens is pitched to families; the cuddly drawing style is safely, un-scarily kid-friendly. (Never mind that kids, with their steel-trap memories, haven't forgotten that Pixar already covered the whole disgruntled ogre thing excellently well eight years ago in Monsters, Inc.) But like so many animated projects welded in the DreamWorks Factory, the movie works hard — desperately hard — to be all things to all audience segments. And the visible effort erodes the sense of gaiety, of unfettered fun.

The portion of the adult audience with moviegoing memories that 
extend back before R2-D2 roamed the galaxy will easily calculate that Ginormica is exactly one inch shorter than the giant femme who sought revenge on a loutish husband in the wonderfully awful 1958 sci-fi specimen Attack of the 50 Foot Woman. This same crowd will also note similarities to plenty of other famous 1950s and '60s-style B movies featuring monsters (irradiated and otherwise), aliens, and rudimentary 3-D effects. Ginormica makes friends with her fellow inmates, including the brainy bug-eyed Dr. Cockroach (Hugh Laurie); a half-ape, half-fish Darwinian oddity dubbed the Missing Link (Will Arnett); and a one-eyed splotch of Blob-like blue goo called B.O.B. (Seth Rogen, happily recognizable even disguised as a...thing). There's also a wordlessly braying 350-foot grub from the school of Mothra called Insectosaurus. Soon, the prisoners of this cartoon gulag are conscripted to battle an onslaught of Earth-attacking aliens, led by a cranky multi-eyed overlord (Rainn Wilson).


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1/26/2009

Madagascar: Escape 2 Africa (2008)

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Directors:Eric Darnell, Tom McGrath
Writers:Etan Cohen (written by), Eric Darnell (written by)
Release Date:24 December 2008 (Indonesia)


Cast :
Ben Stiller ... Alex (voice)
Chris Rock... Marty / Additional Zebras (voice)
David Schwimmer... Melman (voice)
Jada Pinkett Smith... Gloria (voice)
Sacha Baron Cohen... Julien (voice)
Cedric the Entertainer... Maurice (voice)
Andy Richter... Mort (voice)

Review :
This central story of this new animated movie, written by Etan Cohen and the directors Eric Darnell and Tom McGrath, involves Alex (Ben Stiller in low gear), a lion who in 2005 journeyed from New York captivity (i.e., a zoo) to the jungle in the first “Madagascar” with the usual mix of celebrity-voiced racial and ethnic stereotypes: a motor-mouthed zebra, Marty (Chris Rock); a nice if woefully neurotic giraffe, Melman (David Schwimmer); and the token girl, a hippo with a sizeable caboose named Gloria (Jada Pinkett Smith).

Three years later Alex and company are literally ejected from Madagascar in a rickety plane operated by a penguin crew that’s led by the supremely confident, quite possibly insane Skipper (Mr. McGrath), a sleek ball of feathers and fat who simultaneously brings to mind Jon Lovitz, Phil Hartman, John Wayne and a cue ball. Along with his two sidekicks, a couple of stooges called Kowalski and Private (Chris Miller and Christopher Knights), Skipper keeps first the plane and then — after crash-landing on an African savannah — the movie moving with his deadpan delivery and with some surrealistic nonsense involving a barrel of laughing monkeys. (I see a big future for Mason and his silent partner, Phil, the two-chimp team whose lah-di-dah manners and sartorial flair recall that of the 1970s television ape, Lancelot Link.)

With King Julien, a deranged lemur whose daft non sequiturs and bon mots are dropped and dribbled with dexterity and control by an unrecognizable Sacha Baron Cohen (at times sounding like a less frantic Robin Williams), the penguins and chimps could have skittered into something memorable. Alas, the filmmakers, who clearly are having as much fun visually with these scene stealers as they are aurally, stick by the contemporary American animation playbook: Alex has a dream (gotta dance), father issues (with Bernie Mac as the pride of the pride) and a requisite baddie rival (Alec Baldwin, who else?). There’s also an unfunny old lady with a Jackie Mason accent who deserves a violently cruel end, but this is a PG movie.

Mr. Darnell and Mr. McGrath don’t appear especially committed to these stale conceits and character dynamics, which may explain why they spend so much time playing with the penguins, chimps and King Julien, who may not roar but certainly rules. There’s true playfulness here whenever this wacky animal pack takes over, a suggestion of delirium echoed by the zippy, at times overly zooming camerawork with its roller-coaster dips and swoops. And while the filmmakers throw the camera around almost as much as Brian De Palma does, every so often they slow down, giving you a chance to scan the softly muted colors of the landscapes and explore how the exaggerated character designs create a nice visual contrast with the photorealistic details and flourishes.

RS
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5/06/2008

Mad Money (2008)

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Director:Callie Khouri
Writers (WGA):Glenn Gers (screenplay), John Mister (earlier screenplay)
Release Date:18 January 2008 (USA)
Genre:Comedy | Crime | Romance

Cast :
Diane Keaton ... Bridget Cardigan
Ted Danson... Don Cardigan
Katie Holmes... Jackie Truman
Adam Rothenberg... Bob Truman
Queen Latifah... Nina Brewster
Peyton 'Alex' Smith... Older Dante (as Peyton Smith)
Charlie Caldwell... Cop #1
Richard F Law... Cop #2 (as Richard Law)
Meagen Fay... Mindy Arbogast
Christopher McDonald... Bryce Arbogast (as Chris McDonald)

Review :
Suburban socialite Bridget (Keaton) cooks up the inside job after her husband's financial ruin forces her to take custodial work at the bank. After all, she has to figure some way to fund her cushy, upper-class comfort zone crafted by greed. Bridget's foolproof plan requires help. She recruits flighty cash transporter Jackie (Holmes) and struggling single mom Nina (Latifah), whose job requires she shred bills that are no longer in circulation.

Khouri didn't pen this script (credit goes to Glenn Gers), but her screenwriting experience -- she won the Oscar for Thelma & Louise -- ensures that Money holds together, and delivers laughs, as the ladies beat the system. The film makes creative use of flashbacks and breaks the fourth wall between cast and audience. Key players, already in jail, recount plot details to flummoxed police officers. Bridget's theory about crime being contagious might not click, but comments about society's inherent desire to spend money we don't have hit home.

In time, though, Money stops paying close attention to details. Nina doesn't want Jackie's phone number programmed in her cell for fear it might link the two ladies, yet the three "criminals" eat out at the same rib shack together every few weeks. We notice this primarily because the scam has been fairly airtight up to this point. But the cast, uniformly good, smoothes over most of the wrinkles, and Ted Danson, as Bridget's incredulous husband, steals every scene he occupies.

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